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Then, there's "Red Cup" with T-Pain, B.o.B., and Kid Ink helping to bring the Bay Area strip club anthem into 2014 as lyrics like "She can make some Guess Jeans stretch like polyester/Call me Lord Bobby, I'ma bless her with the scepter" say all there needs to be said. The abundance of minimal techno beats and hyphy lyrics found here all fall within E-40's comfort zone, and yet, he attacks these cuts with the punch and and the throwback nastiness of 2006's My Ghetto Report Card. The 2014 release Sharp on All 4 Corners: Corner 1 sets in motion another quadrilogy that uses The Block Brochure's two-year roll-out plan, but E-40 fans should check their already beat-up wallets, because this one balls hard.
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Overtime Shift, and Graveyard Shift all landing within the year, then The Block Brochure: Welcome to the Soil 1 landed in 2012, kicking off a series that would drop no less than six albums over the next two years. It was then he released a quadrilogy of albums with Revenue Retrievin': Day Shift, Night Shift. Graveyard Shift is so focused it’s hard to recommend as a first purchase, but anyone intrigued by the idea of E-40 as crypt keeper is going to fall hard for this one.Maybe his breakthrough hit "Tell Me When to Go" was a threat, as the Bay Area slang king known as E-40 has kept a brutally prolific release schedule since 2011. Elsewhere, the Bay Area thump is crossed with the clunk of Frankenstein’s walk, and even when the rapper speaks on the usual topics - drugs, money, girls, and “That Candy Paint” - everything comes off as dark as midnight. Keeping in step while offering relief, the radio-worthy “Club on Lock” still feels extremely nocturnal, booming with that deep, dark bass and featuring after-hours rhymes about popping bottles and chasing the ladies. Cold as it is, Tone Bone’s simple yet effective production makes “My Sh*t Bang” a fitting title for the track, and if you want to know how the walking dead swing in the Bay Area, dig producer Drop-E’s outstanding standup bass production on “43,” which must be the address to hell’s coolest jazz club. Nocturnal synth lines and menacing beats characterize the production on this dark effort, which helps support its zombie hyphy vision with guest shots from horror-rap favorite Tech N9ne, and husky-voiced juggernauts like Bun B. While Overtime is the more familiar release and will easily please returning fans, Graveyard is more thematically sound and, overall, the better album. Philthy Rich & Stevie Joe)Į-40’s Revenue Retrievin' series turned into a quadrilogy with the simultaneous release of his 13th album (Revenue Retrievin': Overtime Shift) and his 14th (Revenue Retrievin': Graveyard Shift). Bun B & Slim Thug)ġ9. Don't Try This At Home (feat. Turf Talk & DB Tha General)ġ5. That Candy Paint (feat. Stressmatic & Droop-E)ġ3. The Streets Don't Love Nobody (feat. Turf Talk, Cousin Fik & Stressmatic)ġ0. Bad Bitch (feat. you can play it on any device that supports MP3, even on your iPod. Tech N9ne & Marty James)Ġ9. Back & Forth (feat. Buy Mp3 Music Online / E-40 / Revenue Retrievin': Overtime Shift. Matt Blaque & Laroo T.H.H.)Ġ8. Fried (feat. It was released on March 30, 2010, which was the same day that E-40'. His new album, Revenue Retrievin’, is divided into two discs, one called Day Shift and the other called Night Shift. Cousin Fik & Choose Up Cheese)Ġ4. My Lil' Grimey Nigga (feat. Revenue Retrievin': Day Shift is the 11th studio album by rapper E-40. The world learned about the San Francisco Bay Area’s unique style of hip hop when rapper E-40 released the hit song Tell Me When To Go in 2006.